Corpus Christi Map

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Historical region of Country

The editio princeps of a previously unknown Greek text contained in the Pap. Bodmer 29, the Vision of Dorotheus, was published in 1984. A poem in 343 hexameters, it presents itself as the autobiographical account of a visionary dream had by a certain Dorotheus, son of the poet Quintus v. 300 and explicit. The papyrus text, heavily damaged and with gaps, and therefore extremely difficult to read and interpret, has led in the years since then to various critical interventions, often contrasting. Corpus Christi Map The Pap. Bodmer 29 is part of the so-called Codex of Visions written ca. AD 400, in which are also preserved the first three visions of the Shepherd of Hermas in prose and eight other minor poetical compositions closely related to the Vision of Dorotheus To Abraham; To the Just; Eulogy of the Lord Jesus; Words of Cain; The Lord to Those Who Suffer; Words of Abel; Poem with Mutilated Title; Hymn.

Dorotheus commits various transgressions and disobeys the order to guard the door of the palace of God. For this behavior he is severely punished, at the order of Christ and Gabriel. He is again stationed as the palace guard and, baptized with the name Andrew brave man, Corpus Christi Map finally decides to fearlessly proclaim his faith. This, in broad strokes, is the content of the vision that tells of repentance for past sins and conversion from spiritual laziness to a newly discovered courage in giving witness. The recent publication of the poem To the Just confirms the historical existence of this person, Dorotheus son of Quintus v. 160, and sheds new light on his high social position, “ascetical” conversion and final glorification through martyrdom.

Among the various proposals advanced thus far for identifying the author, context and date of the Vision, none can yet claim a consensus. Elements upon which a coherent explanation might be based are the following: first, the author is a person with a good literary education, though he does take certain morphological, syntactic, metrical and lexical freedoms; he shows a substantial confidence with the models of the epic genre Homer, Corpus Christi Map Hesiod, Apollonius of Rhodes and with the centonaria compositional techniques common at his time. He might have gained this knowledge from his father, if one admits that the poet Quintus is none other than Quintus Smyrnaeus, the author of the Posthomerica.

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